Caroline Monnet, Piece the Ground Back Together, 2026. Floor and roof underlayment, waterproofing and insulating membranes, tarpaulin, thread, 47 x 67 (Framed). Photo: Chantier Monnet. Courtesy of the Artist and Blouin Division

Frieze London 2026: What Collectors Need to See | Lougher Contemporary

By Elliot Swiers, Digital Sales Director

Frieze London and Frieze Masters return to The Regent's Park from 14 to 18 October 2026, and the Lougher Contemporary team will be there from preview day. Between them, the two fairs bring almost 300 galleries from 48 countries to London. Wednesday 14 October is the invitation-only preview, and the fairs open to ticket holders from Thursday 15 October.

For collectors, Frieze week is the most important week in the London art calendar. Galleries bring their strongest work, museums open their major autumn shows, and the London auction houses hold their contemporary evening sales in the same week. The following week, much of the same audience moves to Paris for Art Basel Paris at the Grand Palais (23–25 October), where we'll also be sourcing for clients.

Here's what's on our radar for Frieze London 2026.

On our radar: what we can't wait to see at Frieze London

1. Ibrahim El-Salahi and the solo stands
The stand we're most excited about is dedicated to Ibrahim El-Salahi, the Sudanese modernist and one of the founding figures of African modernism. It's the most significant presentation of his work in London this year. Solo stands from Myrlande Constant, Anish Kapoor and Dalton Paula complete a strong group of one-artist presentations. Kapoor is one of the most collected British artists of his generation, so we'll be watching his stand closely.

Installation view of ‘Anish Kapoor’, 2026. Courtesy: the Hayward Gallery and the artist. © Anish Kapoor. All rights reserved, DACS, 2026. Photograph: Dave Morgan

2. Names to watch at the entrance
The fair opens with two solo stands chosen through a proposal-led process: Brazilian painter Márcia Falcão, presented by Fortes D'Aloia & Gabriel, and Agata Ingarden, presented by Berthold Pott. Entrance stands at Frieze have a strong record of introducing collectors to artists who go on to define the next few years.


3. The Code Universe
The new curated section, The Code Universe, is organised by Carol Yinghua Lu, director of the Inside-Out Art Museum in Beijing. It looks at mass culture, image circulation and art after the digital age. Because it runs through the whole fair rather than sitting in one corner, it's worth looking out for on stands you might otherwise walk past.

Artist Award, Theo Triantafyllidis, photo by Paris Tavitian, LIFO

4. Focus and Artist-to-Artist
Focus is where Frieze shows younger galleries, and several stands sold out in 2025. Artist-to-Artist returns for its fourth edition with seven solo presentations, selected by artists including Yinka Shonibare, Firelei Báez and Louise Giovanelli. For collectors buying earlier in an artist's career, these are the sections to see first.


5. Frieze Masters and Frieze Sculpture
Frieze Masters, a short shuttle ride across the park, brings 142 galleries covering everything from antiquities to 20th-century art. This year it adds a new section, Queering Modernism. Between the two fairs, Frieze Sculpture is free to visit in the English Gardens until 1 November, so you can see the fair's outdoor programme without a ticket.

What Frieze week means for collectors of our artists

Frieze week moves the market for the artists we specialise in, even when their work isn't on a stand. Galleries representing many of them are exhibiting this year, including Gagosian, Victoria Miro and Hauser & Wirth. The London contemporary evening sales take place in the same week, and works by Damien Hirst, Yayoi Kusama, David Hockney and Takashi Murakami regularly feature in Frieze-week auctions.

That makes October a good time to act, whether you're buying or selling:

Buying. Fair prices for new work give a useful benchmark for signed prints, editions and originals on the secondary market. An edition by an established name often offers better value than a primary-market work at the same price.

Selling. Interest in an artist peaks around a major fair or museum show. If you own work by an artist in the spotlight this autumn, it's a good moment to get a valuation.

Seeing the wider picture. Frieze week is also London's busiest week for museum and gallery openings, so it's the best time of year to see an artist's work in context before you buy.


Our latest arrivals include works by Hockney, Kusama, Bridget Riley, Keith Haring and Andy Warhol.


Can't make it to Frieze? We'll go for you

Our sourcing service gives private clients access to works at the world's major art fairs, without the need to attend, queue or negotiate. We'll be at Frieze London from preview day, before the fair opens to the public, and at Art Basel Paris the following week.

Send us your brief. Tell us the artists you're interested in, your budget and how you'd like to hear from us (email, WhatsApp or a call).

We source on the floor. We check availability and pricing with galleries and send you fact sheets as soon as we find works that match.

You decide quickly. The best works at preview often sell within hours. We can ask galleries for a short hold while you decide.

We handle the rest. From negotiation to shipping, framing and insurance, we look after every step.

Since 2015, Lougher Contemporary has helped collectors buy and sell contemporary art with a transparent, personal approach.

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Frieze London 2026: frequently asked questions

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