David Shrigley, Everything Is Good, 2023

Everything Is Good (2023) – David Shrigley Screenprint

About the Work

Everything Is Good (2023) is a striking David Shrigley screenprint that masterfully balances visual simplicity with complex emotional resonance. The composition presents a vibrant, saturated yellow background that frames a central, organic green form, immediately drawing the viewer's eye. Beneath this enigmatic shape, the artist's signature hand-rendered typography delivers the eponymous declaration in stark contrast.

This juxtaposition of cheerful, bright primary colours and an ambiguous organic shape invites a nuanced reading of enforced positivity. By pairing a seemingly triumphant statement with a fluid, hard-to-define central figure, the work explores the modern psychological tension between genuine optimism and performative contentment. It captures the dry, existential humour that has made the artist's text-based works so globally recognised.

David Shrigley

As a Turner Prize nominee and the celebrated creator of the Fourth Plinth commission 'Really Good' in Trafalgar Square, David Shrigley has firmly established himself as a leading figure in contemporary British art. His work is held in prestigious public collections worldwide, including Tate and the British Council, cementing his institutional legacy. Regular participation in the Royal Academy Summer Exhibition further underscores his enduring appeal to both institutional curators and private collectors.

His practice translates the immediacy of daily ink drawings into highly graphic, universally accessible commentaries on the human condition. Through the print medium, these fleeting notebook observations are elevated into monumental statements, retaining the urgent energy of the original ink stroke. Each David Shrigley print acts as a subversive mirror, turning mundane anxieties into shared moments of collective relief.

Screenprint Process

Collaborating closely with London-based print studio Jealous Gallery, the artist utilises the screenprinting process to achieve an extraordinary depth of colour and texture. This ambitious fifteen-colour screenprint is meticulously built up in layers on heavy Somerset satin tub sized 410gsm paper, ensuring a rich and velvety surface quality. The application of multiple ink layers lends the flat graphic planes a physical presence that cannot be replicated by standard digital printing methods.

The printmaking process preserves the characteristic bleeding edges of the artist's felt-tip pen marks and the textured density of his solid colour blocks. Published by Jealous Gallery, this David Shrigley limited edition print exemplifies the high technical standards of contemporary printmaking studios. The tactile interaction between the premium Somerset paper and the rich screenprinting inks preserves the raw, spontaneous vitality of the original drawing.

Collectability

The market for these graphic editions continues to show robust collector interest, driven by the global recognisability of the artist's signature style. Works that combine bright colour palettes with poignant textual commentary are highly sought after in the secondary market. This piece represents a particularly engaging intersection of his text-led and abstract graphic practices.

Representing a major colour work from his celebrated 2023 printmaking period, the piece remains a highly desirable example of the artist's graphic output. Released in a modest edition of 125, the print offers a compelling entry point for acquisitions, benefiting from a well-established secondary-market presence. With demand consistently outpacing supply for his most iconic text pieces, this work holds enduring appeal for seasoned collectors.