David Shrigley, I Endorse Everything, 2019

I Endorse Everything (2019) – David Shrigley Screenprint

About the Work

I Endorse Everything (2019) is a striking David Shrigley screenprint that immediately arrests the viewer with its stark, hand-rendered black lettering set against a solid, vibrant yellow background. This minimalist composition utilises the artist's signature handwriting, juxtaposing the raw urgency of a public protest sign with a clean, heavily saturated field of colour. The visual impact is heightened by a tactile varnish overlay that catches the light, elevating the simple graphic into a physical object of contemplation.

Through this calculated simplicity, the print operates as a biting satire on blind compliance and the modern pressure to offer uncritical affirmation. By presenting the sweeping declaration of I Endorse Everything in his characteristically shaky, vulnerable script, the composition exposes the inherent absurdity of universal consensus. The contrast between the definitive nature of the statement and the fragile handwriting creates a tense, humorous irony that characterises the artist's best work.

David Shrigley

Nominated for the Turner Prize in 2013, the celebrated British artist has carved out a unique space in contemporary art through his wry observations of daily life. From his acclaimed Fourth Plinth commission in Trafalgar Square, Really Good, to his regular presence in the Royal Academy Summer Exhibition, his practice is celebrated by major institutions globally. Works by the artist are held in prestigious public collections, including the Tate in London and the Museum of Modern Art in New York.

The transition from quick, spontaneous ink drawings to the formal medium of printmaking allows his immediate gestures to be preserved with remarkable fidelity. Acquiring a David Shrigley print offers collectors an intimate encounter with this direct creative impulse, translated into a refined, exhibition-grade format. This technical translation ensures that the raw energy of the original notebook sketch remains fully intact on the gallery wall.

Screenprint Process

Collaborating closely with the master printers at Jealous Gallery, the artist has utilised traditional screenprinting techniques to realise the precise, saturated yellow of the background. Hand-pulled on heavyweight Somerset paper, the print features a meticulously registered varnish overlay that gives the black text a subtle, lustrous dimension. This demanding multi-layered process guarantees that the depth of the colour is maintained without compromising the texture of the fine art paper.

Each layer of ink is applied with deliberate precision, preserving the unique imperfections of the hand-drawn line that collectors highly value. This technical rigour, overseen by the renowned London-based print studio, transforms the graphic immediacy of the drawing into a rich, tactile object. As a result, the David Shrigley limited edition print captures both the casual intimacy of his sketchbooks and the sophisticated qualities of high-end printmaking.

Collectability

Text-based works by the artist enjoy a particularly strong secondary-market presence, as they represent the core of his conceptual philosophy. The instant recognisability of his handwriting makes these editions highly coveted by both seasoned collectors and those beginning their contemporary art collections. This widespread appeal is supported by a robust international market that consistently values his distinct combination of text and graphic simplicity.

Representing an important text piece from his highly active 2019 printmaking period, the work remains a particularly desirable example of the artist's output. With an edition size of just 125, opportunities to acquire this specific graphic statement have become increasingly limited over time. This restricted availability, combined with continued collector interest in his text-driven compositions, secures its position as a highly sought-after edition.