David Shrigley, It's All Your Fault, 2019

It's All Your Fault (2019) – David Shrigley Screenprint

About the Work

It's All Your Fault (2019) is a striking David Shrigley screenprint that confronts the viewer with a characteristically blunt accusation rendered in the artist's signature handwriting. Set against a clean, heavy paper background, the composition features a vibrant, multi-coloured abstract blob containing concentric rings of primary blue, yellow, red, and green. This chaotic, eyeball-like form floats off-centre, juxtaposing organic disorder with the stark simplicity of the black typographic declaration.

The tension between the joyful palette and the accusatory text perfectly encapsulates the sense of unresolved frustration that defines modern communication. By rendering a hostile statement in a playful, childlike aesthetic, the work exposes the absurdity of projecting blame onto external forces. The physical collision of the dense, layered colours and the hand-rendered text elevates a simple phrase into a profound psychological observation.

David Shrigley

Best known for his dark humour and existential observations, David Shrigley has become one of the most celebrated British artists of his generation. A Turner Prize nominee and recipient of the high-profile Fourth Plinth commission in Trafalgar Square, his work is held in prestigious public collections worldwide, including the Tate and the British Council. His inclusion in the Royal Academy Summer Exhibition consistently highlights his enduring relevance within contemporary British art.

Central to his practice is the translation of immediate, spontaneous ink drawings into highly graphic editions. Through this process, each David Shrigley print retains the raw energy and immediate impact of his original sketchbook entries. This democratic approach to art-making allows his sharp, satirical observations to resonate across a broad cultural landscape.

Screenprint Process

Published in collaboration with the renowned Jealous Gallery, this edition demonstrates a masterful application of traditional screenprinting techniques. Utilizing twenty distinct colour layers, the print displays an exceptional depth of saturation on Somerset tub sized 410gsm paper. The precise application of rich inks creates a tactile, slightly raised surface that highlights the complexity of the abstract form.

The collaboration with a specialist print studio ensures that the hand-drawn quality of the original composition is perfectly preserved. Every brushstroke and textual imperfection is translated onto the heavy archival sheet, maintaining the intimate feel of the artist's hand. Consequently, this David Shrigley limited edition print stands as a testament to the sophisticated intersection of graphic design and fine art printmaking.

Collectability

As the secondary market for the artist continues to mature, works featuring prominent text commands have seen sustained collector interest. The immediate legibility and classic graphic style of the composition make it instantly recognisable, a key factor driving demand among contemporary art enthusiasts.

Representing an important text piece from his celebrated 2019 printmaking period, the piece remains a particularly desirable example of Shrigley's printmaking practice. With an edition size restricted to just 125 copies, its limited availability ensures continued appeal within the global collecting community.