David Shrigley, It's Ok Not To Like It, 2022

It's Ok Not To Like It (2022) – David Shrigley Screenprint

About the Work

It's Ok Not To Like It (2022) is a striking David Shrigley screenprint that confronts the viewer with a characteristically subversive and direct statement. Rendered in a vibrant array of 25 distinct colours, the hand-drawn text stands out boldly against a clean, neutral background. The loose, hand-rendered typography showcases a playful yet poignant tension between high art and everyday self-doubt.

This composition serves as a witty piece of social observation, dismantling the often exclusionary nature of art-world elitism. By validating the viewer's potential indifference, the print democratises aesthetic appreciation and encourages a liberating honesty. The deliberate absence of pictorial imagery elevates the graphic statement itself into a potent conceptual object.

David Shrigley

Renowned for his dry wit and satirical commentary on contemporary life, David Shrigley has secured a formidable position within the global art landscape. His celebrated career includes a Turner Prize nomination, the prestigious Fourth Plinth commission in London's Trafalgar Square, and regular inclusion in the Royal Academy Summer Exhibition. Works by the artist are held in prestigious public institutions, including the Tate and the British Council.

While best known for his spontaneous ink drawings, printmaking has become central to his creative output, allowing his sharp observations to reach a wider international audience. This particular David Shrigley print translates his signature raw line work into a beautifully finished physical medium without losing any of its immediate, sketch-like charm. The resulting edition acts as a perfect bridge between his transient ideas and enduring graphic art.

Screenprint Process

Published in a highly controlled edition size of 125, the production of this work represents an exceptional technical achievement in modern screenprinting. Utilising a complex build of 25 individual colours, the printmakers applied a subtle varnish overlay to enhance the richness and depth of the pigmented inks. Each impression was pulled by hand on heavyweight Somerset paper, ensuring a tactile surface quality that matches the visual vibrancy of the composition.

This meticulous process ensures that the physical presence of the final artwork mirrors the spontaneity of the artist's original drawing. Produced in collaboration with the renowned Jealous Gallery, this David Shrigley limited edition print exemplifies how master printmakers can translate delicate hand-drawn subtleties into a bold, permanent statement.

Collectability

Text-based works by the artist are highly sought after, reflecting a sustained level of global collector interest. The iconic blend of philosophical inquiry and deadpan humour makes his typographic editions some of his most recognisable and desired compositions. As a result, these works consistently attract strong secondary-market presence from both seasoned and emerging collectors.

Representing an important text piece from his celebrated 2022 printmaking period, It's Ok Not To Like It remains a particularly desirable example of the artist's graphic practice. With only 125 signed examples in existence, its scarcity ensures continued appeal within the international art market.