David Shrigley, Sorry I Snapped At You, 2025

Sorry I Snapped At You (2025) – David Shrigley Screenprint

About the Work

Sorry I Snapped At You (2025) is a striking David Shrigley screenprint that confronts the awkwardness of interpersonal relations with the artist's signature deadpan delivery. The composition features raw, hand-rendered typography offset by a stark, minimalist graphic of a snapping jaw silhouette set against a vibrant, saturated yellow background. This bold colour palette demands immediate attention, pulling the viewer into a highly relatable moment of domestic friction.

By pairing the aggressive visual of sharp teeth with a gentle, apologetic phrase, the work explores the fragile nature of modern communication and emotional vulnerability. The erratic, hand-drawn lines convey a sense of immediate human error, mirroring the very impulsiveness of the outburst being apologised for. It is this tension between the biting imagery and the soft-hearted text that elevates the print from a simple joke to a poignant observation on human relationships.

David Shrigley

Widely celebrated for his satirical takes on the mundane details of daily life, David Shrigley has become one of the most recognisable figures in contemporary British art. His distinguished career includes a nomination for the prestigious Turner Prize in 2013 and the high-profile commission of Really Good for the Fourth Plinth in Trafalgar Square. Additionally, his work is held in major institutional collections worldwide, including the Tate and the British Council.

At the core of his practice is a devotion to drawing, which seamlessly translates into the graphic medium of screenprinting. This specific David Shrigley print exemplifies how the immediacy of his ink drawings is preserved and amplified through professional printmaking techniques. The result is an artwork that retains the spontaneous, intimate energy of an original sketch whilst commanding a powerful graphic presence on the wall.

Screenprint Process

Produced in collaboration with the renowned Jealous Print Studio, this edition reflects the exceptional technical standards associated with the artist's most sought-after releases. The screenprint utilises rich, layered inks applied to heavyweight Somerset paper, ensuring a deep and matte finish that highlights the contrast between the dark linework and the bright background. A subtle protective varnish overlay preserves the velvety texture of the ink, demonstrating the meticulous craftsmanship behind the production.

By working closely with the publisher, the artist ensures that the screenprinting process captures every slight variation in his original hand-drawn line. This David Shrigley limited edition print stands as a testament to the collaborative synergy between artist and master printer. Through this careful translation, the final work retains the tactile, ink-heavy aesthetic that collectors look for in his printed editions.

Collectability

Due to the instantly recognisable aesthetic and universal themes, works of this nature continue to attract significant collector interest globally. The demand for his graphic editions remains consistently high, driven by their ability to inject wry humour into both private residences and public galleries.

Representing an important text piece from his 2025 printmaking output, this work is particularly scarce due to its remarkably small edition size of just 30 copies. Such a low run makes it an exceptionally desirable example of the artist's contemporary portfolio, offering a rare degree of exclusivity within a highly established secondary market.