David Shrigley, Untitled (How Are You Feeling?), 2006

Untitled (How Are You Feeling?) (2006) – David Shrigley Screenprint

About the Work

Untitled (How Are You Feeling?) (2006) is a poignant David Shrigley screenprint that exemplifies his mastery of minimalist conceptual art. Executed in a stark monochrome palette that contrasts deep black ink with the natural, warm colour of the paper, the work features the artist's signature hand-rendered orthography set against an unadorned background. This deliberate simplicity draws immediate focus to the unsettling directness of the central question, inviting the viewer into an intimate psychological confrontation.

By presenting a simple inquiry with the raw vulnerability of a handwritten note, the composition bypasses traditional artistic artifice to expose raw human anxiety. The slight irregularities in the lettering mimic the hesitation of real human dialogue, turning a casual greeting into a profound existential inquiry. Through this deceptively naive aesthetic, the work exposes the underlying fragility of modern social interactions.

David Shrigley

Nominated for the Turner Prize in 2013, David Shrigley has secured an enduring legacy within contemporary British art through his mordant wit and celebrated public interventions. His monumental Fourth Plinth commission in Trafalgar Square, Really Good, alongside major solo exhibitions at the Hayward Gallery, underscores his significant institutional recognition. Today, his works are held in prestigious public collections worldwide, including Tate and the British Council.

The immediate, almost urgent quality of his drawings is preserved through highly controlled printmaking techniques. Every deliberate smudge and tremor of the pen is replicated faithfully, ensuring that each David Shrigley print retains the intimate energy of his original notebook pages. This seamless translation from casual sketch to fine art edition is central to his unique graphic language.

Screenprint Process

Utilising heavy, premium wove paper, this edition is distinguished by its exceptional tactile qualities and the rich, matte depth of its ink application. The screenprinting process allows for an incredibly dense laydown of black pigment, which contrasts sharply against the natural tone of the fibrous sheet. This physical presence elevates the seemingly casual text into a commanding, archival object.

This meticulous method ensures that the final screenprint captures the precise weight and texture of the artist's original ink strokes. Produced in collaboration with Stephen Friedman Gallery, this David Shrigley limited edition print reflects the high technical standards that have defined his publishing output since the mid-2000s. The resulting work carries a visual weight that commands attention within any gallery setting.

Collectability

Acquisitions of early-career works from the mid-2000s remain highly prioritised among serious patrons of contemporary art. The direct, text-based format of Untitled (How Are You Feeling?) represents the most recognisable facet of the artist's oeuvre, making it highly sought after on the secondary market. This sustained collector interest is driven by the piece's ability to encapsulate his signature conceptual ethos in a singular, powerful statement.

Representing an important text piece from his influential 2006 printmaking period, this work is limited to an edition of just 100. Given the modest size of this early release, it remains a particularly desirable example of his early graphic practice. The scarcity of these early editions continues to fuel demand as his global exhibition profile expands.